Justin Moorewith special guest Chase Rice
Saturday, July 20 8:00 PM
Chart-topping powerhouse Justin Moore proves that, through all the fame and success, he’s still just the same country boy he’s always been on his stellar new album, ‘Late Nights and Longnecks’ available everywhere April 26. Tipping its cap to Alan Jackson and George Strait, the record is Moore’s most traditional-sounding collection to date, a no-frills portrait of small-town life and big-time dreams that’s not afraid to let its hair down and party at the end of a hard day’s work. Equal parts celebration and reflection, the album is a showcase for Moore’s evocative storytelling and unforgettable voice, complemented by an all-star band featuring GRAMMY and CMA Award-winning guitar icon Brent Mason ACM-winning pedal steel hero Paul Franklin among others. “I’ve never worked with those guys before, but they’ve played on some of my favorite albums of all time,” says Moore. “We thought it would be really cool to bring them in and record the whole thing at The Castle, this historic studio just south of Nashville where a lot of those legendary hit records were made. Not only did it result in my best album yet, it was also the most fun experience I’ve ever had recording.” An Arkansas native who grew up idolizing Dwight Yoakam and Keith Whitley, Moore knows a thing or two about hit records himself. After signing to The Valory Music Co., an imprint of the Big Machine Label Group, he landed his first country #1 with “Small Town USA,” the breakout single off his 2009 self-titled debut. The record went platinum, as did its 2011 follow-up, ‘Outlaws Like Me,’ which yielded yet another #1 single with “If Heaven Wasn’t So Far Away.” In 2014, Moore landed the coveted New Artist of the Year trophy at the ACM Awards after releasing his critically acclaimed third album, ‘Off The Beaten Path,’ and in 2016, he dropped ‘Kinda Don’t Care,’ his third consecutive #1 record. The New York Times hailed Moore as proof that “old forms can stand even stronger with injections of new ideas,” while Billboard celebrated his “down-home personality and wry sense of humor,” and Rolling Stone praised the “upbeat mix of contemporary country and honest twang that he perfected.” Moore’s songs racked up more than a billion streams globally, and he performed everywhere from Kimmel to The Today Show in addition to headlining arenas and amphitheaters around the country.
Fame often has a chilling effect on one’s psyche. However much as he’s done his entire life, when faced with a No. 1 major label debut album in 2014’s Ignite the Night, as well as a pair of Top 5 singles with the RIAA Platinum-certified “Ready Set Roll” and Gold- certified “Gonna Wanna Tonight,” Chase Rice turned his cheek and took the path less traveled. As he readily recounts, the country music maverick has only grown more self- aware, mature and grateful in the wake of his success. “I’m a different person in a lot of ways,” Rice says looking back at his younger self, who moved to Nashville following the sudden death of his father “having no clue what the hell I was doing,” wrote a batch of killer songs and went for broke in the country music industry. “I was searching,” Rice says. “I didn’t know who I was as an artist. But now, it’s a new me. It’s a whole new deal. Now I know exactly where I am in life.” He laughs. “Well, not exactly. But I’ve got a better idea, anyway.” The past few years have been monumental ones for Rice: following the release of Ignite the Night, the 31-year-old budding superstar toured the world with four massive headlining tours and stadium-show opening runs for country megastars including Kenny Chesney and Dierks Bentley. “I was just having fun. I was riding the wave,” he says. Most recently, Rice released a new single from his forthcoming studio album, “Everybody We Know Does,” a rowdy rocker he says instantly took him back in his mind to the Fairview, North Carolina farm on which he was raised. “I wanted to have an in-the-moment song of what me and my friends do and how we live,” he says of the song, which his ultra-dedicated fanbase has already responded to with adoration. “People showing up, being so passionate about my music, that makes me proud of this life and what we – my band, my team and I – have built, man,” he continues. “When crowds are showing up singing non-singles louder than the singles, that gives me the confidence that they’ve got my back and that these songs are their lives, too.” Despite his swelling popularity, Rice still says he sees himself and his longtime band as underdogs. It’s a healthy mindset, he says, that keeps the fire burning in his belly. “It allows you to still have that drive, still have that reason to keep trying to move forward and make the music better,” he explains. “When I’m the underdog, look out. When someone tells me we’re not going to do something, you’d better get your ass ready, because we’re gonna do it!” Rice admits the enormous success of the Gold-certified Ignite the Night caught him by surprise. It’s not that he wasn’t confident in his songs, he says, but rather that the project was him “throwing darts on a map and seeing where we were gonna go.” Still, even as his career exploded, Rice says the death of his father when the singer was only 22 loomed large. Turning to God and, in turn, releasing himself of the associated burden of his pain gave him permission to be his best self. “You’d be shocked at the amount of pressure it takes off your shoulders,” he says. It also freed him up to follow his creative muse like never before. “Someone who is lost is going to follow the crowd,” Rice says. “Someone who knows where they’re going and is their own person is going to chart their own course.” “It’s still a continuous climb up the mountain,” Rice, who says he’s never been more “open and honest” in song, says of evolving his craft and looking forward to what the future holds for him. Ask him though what propels him forward and the country star will tell you it’s undoubtedly a continuous drive to prove his earliest fans right. “You guys chose to bet on me as one of your favorite artists back when it was just 500 people in a room,” he wants them to know. “I told you we were doing this thing and that I couldn’t do it without you. And now we’re doing it!”